The World at War: The Making of the Series

The World at War: The Making of the Series

10

The making of 'The World At War'. Each film in the 26 episode series had to be an essay on an aspect of the war, because the length and separate aspects of the war was far too much to cover in detail. Jeremy Isaacs talks about the production process and the aims of the project. The intention of the crew that were involved with the various skills in making 'The World at War' had no desire to use film from British, German, French, Polish, Russian, Japanese, or the Americans because of their specific means of showing the winning side of a specific action. Rather, an effort was made to interview people who were not part of the establishment, but rather the common people or assistants and secretaries of historical persons. Film was researched for those films from cameras where there was no special subject, but those that would allow the viewer to make their own decisions about what they had just seen and heard.

Similar movies

    The Warwick Rowers - WR19 England FilmThe Making of NekromantikMaking 'Taxi Driver'Unveiling the Horror of Get OutTakashi Murakami: The Art of FilmThe Making of Rock & RuleMaking Frankensense of Young FrankensteinThe Legacy of the 12 WesternsGame of Thrones: The Last WatchHearts of Darkness: A Filmmaker's ApocalypsePsycho PathHere Comes a New ChallengerLet the Festivities Begin: Manifesting Midsommarmother! The Downward SpiralThe Making of the TerminatorBeyond Doubt: The Making of Hitchcock's Favorite FilmEntrenched: The Making of 'Gallipoli'Death on the Nile: Making of Featurette